Posts Tagged ‘ drawing ’

The probity of drawing: 90% looking, 10% doing

August 3, 2011
By Jane Parry
The probity of drawing: 90% looking, 10% doing

One of Britain’s foremost landscape painters, Peter Prendergast’s work has recently been collated into a website. http://www.prendergast.co This site, managed by his family, gives an insight not only into the iconoclastic quarry paintings for which Prendergast is renowned, but also into previously-unseen work.  OCA tutor Jane Parry reflects on the work of this consummate...
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Posted in Art & Design | 6 Comments »

Making the most of sketchbooks and learning logs

June 21, 2011
By Jane

Eileen Adams is a fervent believer in the value of sketchbooks. We were delighted when this sketchbook guru (known for her contribution to Campaign for Drawing) agreed to be filmed talking about sketchbooks and the role of learning logs. I approach
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Posted in Art & Design, Education, Photography, Textiles | 8 Comments »

New Life Drawing Video

May 11, 2010
By Paul

The latest addition to OCA Elements website is this demonstration by tutor Jane Lazenby of figure drawing using geometrical shapes to establish an outline.
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Posted in Art & Design, Education | 5 Comments »

Thinking through drawing through feeling workshop

May 5, 2010
By Paul
Thinking through drawing through feeling workshop

Modern Times: responding to chaos at the De La Warr Pavilion, a workshop that offers an opportunity to work with the exhibition of 20th century drawings held at the De La Warr pavillion. With a consideration of how artists think through drawing as a
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When she was invited by a team of surgeons to watch them operate…

February 8, 2010
By Alison

I’m half way through my first OCA course, Start Drawing.  On page 17, there’s a question about the artist Ben Nicholson – “Why did he simplify still life forms and negative space and superimpose them on the Cornish landscape?”  Good qu
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A history of drawing in four paragraphs

January 26, 2010
By Jane
A history of drawing in four paragraphs

The first known drawings known are cave paintings, the most famous of which are those in Lascaux, France. Such early examples of mark making were clearly designed to communicate a message, but the aesthetic quali
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