There comes a point in the life of most (if not all) composers, when the computer-generated realisation of their music is no longer enough, and some sort of contact with live performers is required.
Employ some musicians.
Go to a composer workshop, such as the one held recently at the OCA
Enter a competition
Send your work in...
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Contemporary music can cause passionate enthusiasm in some and complete bafflement in others. For many, there remains a sense of dread, and an expectation of the ‘squeaky gate’ incomprehensibility that has become the new music stereotype.
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Music Tutor, and soon to be author of the OCA's second Level 1 Music Course: From The Present To The Past, Carla Rees talks to Gareth Dent about her work.
I have many associations with the OCA; I came to the College initially as a photography
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